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(Top L to R) Father and son; poster explorations for 'The Dark Knight,' 'Michael Clayton' and 'Ocean's Thirteen.' (From bottom L to R) Key art for 'Wonder Woman':packaging for the re-release of 'Taxi Driver'; and, original sketches. |
One of the many great things about working at some of Hollywood’s best entertainment agencies, as well as the studios, are the friends you make at work. I have had the pleasure of working with some extremely talented people that I am proud to call my friend. Felipe Cerdán is one of those people.
Felipe – or as he is also known, ‘Flip’ – earned his Bachelor’s degree in Graphic Design and Animation from San Jose State University and has been working non-stop ever since. His true love being animation (besides his beautiful wife, Melanie and his handsome son, Q.), Flip jumped right into it, landing his first gig with Warner Bros Feature Animation.
Flip’s exposure to animation in the world of entertainment began as an EFX Inbetweener and Assistant Animator on two of animation’s greatest films, ‘The Iron Giant’ and ‘Osmosis Jones.’ Later, he work on ‘The Tigger Movie,’‘Joseph: King of Dreams,’ and ‘Sinbad.’
Flip worked in animation for five years with Warner Bros, Sony, Dreamworks and Disney Television Animation before the 2D animation world decided to take a breather. So, Flip reinvented himself and landed a job at Petrol Advertising, where he got his first taste of entertainment advertising at one of L.A.’s top entertainment ad agencies.
In 2005, Flip landed a role as art director at Be Design – which is where I met Flip when I started working there in 2007. At the time, Be Design was located in the House of Blues building on Sunset Boulevard and Argyle, It was located on the eleventh floor with incredible views of the city, which made it easier to work late. By then, Flip had become a package design pro and had worked on key art for projects for films like ‘Michael Clayton,’’Ocean’s 13’ and ‘The Dark Knight,’ to name only a few.
After several years with BeDesign, it was time for Flip to move on. And, it was at that time that an agency called 30Sixty – an entertainment agency that skews towards a specialty-packing firm – was looking for a new designer and one of Flip’s friends recommended him for the job. (See, it is who you know.)
But it wasn’t long after Flip took the job at 30Sixty that he got a call from a friend about a new animation gig over at Disney. It was too good to pass up, so Flip took the job.
One of the few perks a working artist can have in Los Angeles, if they are lucky, is a gig on one of the major studio lots and Disney’s Animation Studio is certainly one of those gigs – without question.
Flip was lucky enough to have had continuous work at Disney Animation for several years. As an EFX Animator, Flip worked on such films as ‘The Princess and the Frog,’‘Winnie the Pooh,’ and ‘The Lion King - 3D.’
Today, Felipe is working on the Warner Bros. lot for the television and creative services group where he has designed key art for Comic-con for such shows as the new ‘Wonder Women,‘ as well as ‘The Big Bang Theory,’ and more.
Please take a moment to visit Flip’s site at FelipeCerdan.com. Make sure you check out his animation EFX, as well as his design projects. Flip is truly a master of design in all of its forms. He is not only a great artist and talent, but he is also a terrific friend, father, husband, brother and son to the people who matter most in his life. I am proud to call Felipe Cerdán my friend and I thank him for letting us feature him on L.A. Link.